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THE NEW FILET 
CROCHET BOOK 

ORIGINAL DESIGNS WHICH MAY BE USED ALSO FOR 
CROSS-STITCH AND BEADWORK, WITH PATTERNS 
: : : : : : REPRESENTED IN A NEW WAY : : : : : : 
:=:=== By HUGO W KIRCHA4AIER :^:2:;:::^^^::;:r;:::::=r 



Preface and Instructions by 

ANNA WUERFEL BROWN 



Price, 25 Cents 



PUBLISHED BY CORA KIRCHMAIER 
TOLEDO, OHIO 

Copyright, 1912, by Cora Kirchmaier, Toledo, O. 



PREFACE. Vol I 

In mediaeval times, Darned Netting, also called Lacis, was contemporary with 
the linen embroidery of that age. Cluny Guipure, one of the earliest forms, was 
known as Opus filatorium, or, in the Middle Ages as Spider Work. It shows a netted 
square-meshed background, identical with that of our modern Filet. The network 
is darned upon with counted stitches like tapestry, and by modern French workers 
is now called Point Conte or Filet Erode a Reprises; while in Italy the modern variety 
is called Guipure d'Art. 

The patterns woven into the netting are more or less elaborate but the same 
beautiful designs may be carried out in Filet Crochet, now so popular. The crochet, 
moreover, enables one to complete the design in one operation, the solid meshes as 
well as the open meshes being worked as you go along. 

Filet Crochet is not new. Most of us have pieces handed down to us from 
our grandmothers. But since artists have thought it worth while to create new de- 
signs for this lace, the art has been wonderfully improved. 

The designs in this book are not only artistic and beautiful but are strictly 
original and have never before been pub'ished. 

The method of representing them is also very unusual — the black spaces 
showing the open meshes and the white squares outlined in black, showing the solid 
meshes — thus making it very easy to count the squares and much less trying to the 
eyes than the old way. 

Another decided advantage to the worker is the table (see page 22) giving the 
size of a piece when worked with number 30, 50, 100 or 150 thread. This will enable 
the worker to select just the pattern needed to carry out the idea she has in mind. 

Those who have made a study of Coats of Arms and Heraldry will be delighted 
with the artistic perception and accuracy of such figures as No. 50, 56 and 78. 

MATERIALS. 

Any good cotton thread may be used for Filet Crochet and silk thread also, 
the purse twist being the best for this .ysl. The silky mercerized cottons and the 
beautiful linen threads are also very good:' D. M. C. thread was used in all of the 
samples and finished pieces in this book. 

The only other things necessary are a good pattern, and a crochet hook. Use 
as fine a hook as can be used without splitting the thread. The material, if any is 
to be used together with the crocheted work, should also be considered and a thread 
chosen which will harmonize with the same. 

v© CI. A 3 297 89 ^) 

2 ^1 v^"^/ 



PLATE I 



■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■a 
■■■■■■■■■DBBaBBBBaaaaaaaBHBiaaaBHaB 
nBBaaBBBaBaaaBDBBBnaDBaaaaBBaaDBBBaaa 
aDBoaaBaBaaaaanDaDaBBaaaDaaaaaaQaaaDa 
BBDaDaDaaaaaoDDaaaaDaaaaaaDBiaaaaDoaa 
BDaDDOBOBBBDaaaaBDBaBDBDDDaaaaBaaoDaa 
aBiBaaBaaBaaBBDBBaDaaaBBDBBBOBDBBBDia 

■■■BBBBBBDBBaaaaBaBQBBaBBBBBaaBaaBIBB 

■■BBBBBMBaBBaaBBBBaaBHaaaaaHMaaHMBaBH 

No. I 9 Meshes 

BaDBBBDaBBBaaBBBaaBBBDDBBBaDBBBQDBBBa 

aBaoBDBBaiaBBnBDaBDBaBaoBaBBDBaiBDiaB 
BaaBDBBBaaBBBaaaBBBaBBaBaaaaanBiiBaBB 
BBaaaaaaaaBaaaDaaBaaaaBaaaaBaaaBBaDaa 
OBaaaDaaaaaaaDaaaaaaaaaDaaaaoaaaBaaDB 
aBnaBoaaaaaaaaBaaBaaaaaaaaaBBaaaDaBoa 
aggBaBgaaBaaaBBaaaaaaaaBBBaDBBBaaBiBD 
BBBgagflaaBaBBaaDBaaBaBaaaaBaaaBaBoaoa 
BBBBaaBBBiaBaBaBBBBaBBaBaaaaiaaaaiaBa 

BBBaaBaEaBBaBBBaBBBBaaBBBBBBaBBaBBIBB 

No. 2 10 Meshes 

BBBBBBBaBIBaaaBBaBaaBBBBaBBBBBBBBBBaB 

aBBaBaBaDBaaBaaBoaaaaaBBaaaoaaaaDBBDB 
■aaDgDaaaaaaaaaaaaaaaaaaaaaaaaaaaaiQa 
■DDaDaaaaaaaoaaaBDgaoaDaBDDaaaaaaaaaa 
BBaaaaaBaBaaaDaBBBDaaaDaaaaaogDBBBaDa 
aaaaoaaaaQaBOBDoaaDaaaaaanaBaiDoaDOBa 
BBaDgaaBaaaaaQBBaaaDaaiaaBBoaDBBaaaaD 
DBBgaaBaaBaaBOBaaaBDBDEaaaaaaaBBaMaB 



No. 3 9 Meshes 

BBaBBBBaBflBBBBBaBBBaaaBBBaBBaBBBBBBBB 



■■■■■■■■■■■■■■BBHHBHHBBIHBniaiB 

apgaBagaDBaaanaaaaaQnaBaDaDaBaaDaBBaa 

BDBBBaBBBaBBBDBBBaBBBDBaaDBBBaBBBDaBB 
BBBnDDDBDDgpBBiDaDDBDDDOBBBDDDDBDDDDB 

DBaaBBnBaBaDBGDBBBaBaBDaaaaaBBBBaaaD 

■■■22P2aDpDDBBBDDDDBDnDDBaaaDnDBDnDnB 
■aBBBQBBBDiBBaBBBDaBBDBBBnBBBaar 



No. II 



inBBBDBBBaBBBDaBBDBBBnaBBaaBBaaaB 

■BDODBBBaDQBBBaaDBBBOODBBBaDOBBaD 

■■■■■■■■■■aBaaaaBBaBBaaaBBBaaaaaa 



9 Meshes 



aBaBBaaBaBaaaBBBBaaBBaBaBBaBaBBaBBBBB 
'laagBBagaaBaBDagBaBgagaBBaaaaaaaaaaa 



DBBDQOBDaDI 



B-B^=-^!>a>o*aaBgQnBaBaciBBBac]aDBBBBaBB 
BDBaBBaBBaaaBaBaBaaaaaBBBDaaBBBBBBBB 
BBaaaaBaaaBBBBBBBBBBBaBaBaaaSaSBaaBS 

No. I 2 II Meshes 



DBgaDaaaBaBaBOBaBOBBaBaaaaaaQaaaaa 
iBBaBBBaaaaBBBoaBBaQaaBaaaaBaaaaaa 
nanaaaaaaaaDaDaaBaaaaaaaaaaaaaaaaa 
DBBaoaaBaaaaBBaagaaaaDaaBaa 



DaaaaDaaaDDaaaaaaaaoDaaaaaagaaaaaaaaa 
aaaaaaaaaaaaaaaaaaoaaaaDaaaBaaaDaDaaa 
BaaaaaaBaBaaBaaBaaaBaaaaaaaaaaaaaDBaa 
aaaBaaaaBaaaaaaaaaacoaaaaaBDBODBaaaaB 
BaDaBaaaBBBaaaaBDaBBBaaaBaaaBBBBaDBBa 
BBBaaDBBiBBBBBaDBaaaaBBBDDaaBaBBaBaaa 
BBBaaaBBBaaaaBaaBBBBBaBBaiBBaaaaBaBBB 

No. 4 10 Meshes 



aaaaaaaaaaaaaaaaaaaaaaaBaaaaQaBaaBaaa 
□aBaaBaaaBaBBaaBaBaBDBBBDBaaBBaaaaaBa 
oaaaaaaaaaaaaaaBDaaBaBaaQaaaaaaaaQaaa 
BaBaaaaBaBBaaBBBBBBBBBBBaaaaBBBaaBBBa 

No. 5 7 Meshes 

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aBBBBaBBBBaaBBaBBBBBBBBaBBBaBaaaBaaaa 



aDaDaaoDBDDaDaaaaBQaBaDBDDaaaiaDaoaaa 
aDDaaBaaaaaaaaaDaBaaaaaaBaaaaiaaaaaaa 
aaaBaBaBBBBBBaBaBBBaaaaaBBBaaaiaBBaBa 
BBaBBaaaBaaBBBaBaaBBBBBBaaaaBBiaiaaaB 

No. 6 9 Meshes 

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aaaaBaoBaaaaQiaBBaaaaaaaaaaBBaaaaaaaa 
aaaBaaaaaBaBBaBBaBaaBaaaBDaaaBBaaBaBB 
BaaaaaBaaQBaaaaaBBaaDaBBaaaaBaaaaaaBa 
BnaBaBaaaaaaaaaBaaaaaaaBBQaaaaflaaaaaa 
aaaaaBBaBaaBaaBaoBBOBaaaaoaaaaaaaaaaa 
aBaaaaBaaaBBaaQaBaBBaaBaaBaaBBBBaaaaa 
BaBaiaaaaaaaaaaaaBaBaBBaBaaaBaaBBaBaa 

No. 7 8 Meshes 

aaaBBBBucaaaBBaaBaaBBaaaBaBBaaaaaBBaa 
BBDBBaaBaaaoaoaBDBaaoBBQBaaoaaaaaioaB 



aaBaaaaaaaaDBBBaaaaaaaBaBaaaBBaaaaBBB 

■aaaaaaBBaBaaaaBaBBBaBaaBBaaaBBBBBBaa 

No. 8 9 Meshes 

■aaaBBBBBBBaBaaBBaBBBBBaBaBaaaaBBBBBB 
BBaaaBaaaaaaaQaaBaaDaaBQaBBoaaaBBoaBa 
oaoaiooiaaDBDBaaQBBBaBolBooaBBOBOBaao 
aaaaDaBioaBBBaaBBaoaBBBoaBaaooaaaoDBB 
BaoBoaaoaaaBaaoaaoBaBaQBaaaoaaaaoBOBB 
ODaaaaaaagaDaBaQBaaDoaaaaaaBDDoaaaaoa 
aaaaBaaaBiaaaBaaaaBaaaaaaaaBaaaaBBBaa 

No. 9 7 Meshes 



No. 10 



BaBBBBBBBBBaaBBBaaaaBaBaBBBBaBBBaBBBa 

flaaaDaaoDDaDgaaaaaaDBaaaaaoaaaaaaaaaa 
aaBaaaBaaaaaaBBaBaaDDaaaBaBaaaDaaaaaa 
aBBaBaBaBBaaBaaBaaBaaaaaBaaaaagBBDan 
aiaQaBDaDaoaaaoaaDaaQfoaaaaDaaQaaaDaa 
9KlQ9QiS!5!i=i'i=iQQi(=i"c^><=i>^oaDBDBDBDaa 
gailiGiiBaaaaaaaaaaBgaBaaaaBaBaaBBBaB 
ggflgBaiaaaDaaaBaaDBaoaBnaoaGaaaaiaaaa 
IggQagagagBaoniaBaaaaaaaaaBaaaaaaQaaB 
igaaoaBoaaBaaBaaBaaaBaBaaBBaBBBaaaaa 



No. 14 13 Meshes 

■■BaBBBBBaBBaaBBBBaaaBBBBaaBaaBBBBBBB 

BBaaBBaaBBaQiBaaBEaaaaaaaBaaaaBBBBDaa 
BaaBaaBBaaBaaaaoBaaBaaaBaaaaaaaaaoBBa 
gi|gaBaaBaaaBaaaaaaaBBanBBDaBaaDaaac~ 




gDDBDDDaaaDDDDDaaaaDDBDDDQainnii 

gBaaBBaBBaaaDBBBaBaaaBBaaaBBBBDaaaaaa 



No. 16 



9 Meshes 




DBaBoaBaaaaBBBoaaaaDDBaaooaaaanaaaaaa 
aaaaaaaaDBBaBOBaaaaaaaBaaaaaaaaQBaaaa 
aBaBaaaaBaaBaBQaaaaaaBaBaBaDaoaBDBDBB 
DaaaaaaaBBQaaBBaaaaaaBaBBaBaaaDaaaaaa 
-gBOBBgBoaaaBDBaoBDBBOBQaBaaoiaQaaBaQ 
naaaBBaaBaaDDaBBaQaaaaaaaBDaaaaaaa 
BBaaBBaaaBBaaaaaaaaaBaaaaaaBa 

No. 1 7 8 Meshes 



^jggaDagoaaBaaBDaaaBBaoaaaaoaBBBDoaDf. 

QgaBOggBaDDDBBDODBaQODBaDDDBBODDBBOOO 

gaaagggaBBgaBBQaDaaBOBBaaoaBaaoaaaaQO 
5SS!!2!'*i^*'=>"**o"**0"o***i=i"**aaoa«aoa 
BaoaaaaaaaaoaaBaaaQoaoaaaaaaaoaQoaaaa 
BaaoBaaoBaBBBaaBaaaaBaaoBaaoBBBBBoaaa 
■aaaaooaaaaaaaaooaaBBaaaoooaaaaaaaoDQ 
BBaBBaaiBiBBBaaBBBBBaaaaBaBBaBaaBaaaa 

No. 18 II Meshes 

■aaaaaBaBaaaaaaaaaaaaaaaaaaaaaBaaaaaa 
oaaoBBDaaoaaaBaoaaaBaoBBOBaaaaoaaaaao 
laoaoaaaoooaaaaooaaaoooaaaooDaaaoaaaa 
oaaoaaoaaoaaaaaaaaoaaaaaoaaDaanaaaaao 

■aaaaaaaaaaaaaaaaaaaaBaaaaaaaaaaaaaBB 

No. 19 5 Meshes 



INSTRUCTIONS FOR WORKING. 

The stitches used in making the designs in this book are as follows: 

First make a sHp knot or tie a small loop in the end of the thread, slip this loop 
over the needle. 

Chain Stitch (ch st or ch)* Having a loop on the needle, pass hook under the 
working thread, draw a loop of it through the loop on the needle. Repeat from * 
until the desired length is obtained. 

Double Crochet (d) — Pass the hook through the work (or through the stitch 
named) and draw through it a loop of thread, thus making two loops on the needle 
(hence the name, double crochet); then draw a loop of thread through both of the 
loops on the needle at once. 

Treble Crochet (t) — Throw thread over needle (or pass hook under working 
thread, taking up a loop) thus making two loops on the needle; pass hook through 
work and draw a loop through, making three loops on the needle, then draw a loop 
of thread through two of the loops on the needle; then another loop through the re- 
maining two loops on the needle thus "taking off" two loops at a time. 

Double Treble (dt) — Throw thread over needle twice; draw a loop through 
the work, making four loops on the needle; take off two loops at a time. 

Triple Treble (tl) — Thread over needle three times; draw a loop through work 
and take off two loops at a time. 

Slip Stitch (si st) — Pass hook through work and draw thread through the work 
and the loop on the needle at the same time. 

Filet Crochet is simple but like so many simple things, is beautiful only when 
evenly and accurately done. To begin a piece, count the meshes in the first row of 
the pattern chosen; make three times as many chain stitches as there are meshes 
and add one more chain. Take for example the openwork sample (Fig. I) which has 
1 1 meshes. Ch 33 and add 1 ch, making 34 ch; then ch 5 more to make the turning. 
Now work a t into the 9th ch (counting back from the needle). This forms the first 
open mesh. *Ch 2, miss two stitches on the foundation chain, and work a t into the 
next st. Repeat from * until you have 1 1 meshes. Ch 5 to turn. 




PLATE II 



■■aaaoaaHaMaasoaaaaaoaaoaaaaBaaaaaooaa 
aaaooooaaaaaaoooaoaaaaoooaoaaaaaaaaaooaa 
aaaaooaaoaaoaoaoaaaaaaaoaooaaaaoaooaoaaa 
aaooaaoDoaaaaaaaGaaaaaoDaaoooaaoaoaaaaaa 
■aaaooooaaaaauoooaaaaaaaaDoaaaaaaooaoaaa 
aaaaaooaaaaoooaaaaaaaaaaaooaoaaaaooaaaaa 
■aMaooaoaaaooaaoaaagaBaaDaaQaaaDaaaoaaaa 
aaaaaaaaaaoaaaaaaaaaaaaaaBaaaaaaaaaaaaaa 
aaaaaaaaaDoaaaaoDoaaaooDaaaaaaaaaaaaaaaa 
aaBBOoaoaaaaaaoaaaaaaaaaaaaBaaaaoaooaaaa 
aaaaaaoaoaaBoaoaoaaaaBDaaaaoaaaoaaaaaaaa 
aaaoaQaDBBaasaBaaBaaaBaaaaoaaaiaaaaaoaBa 
■■□oaaoooBaaDaaaBaaaaaaBODBooBBoaoaoDDaa 
aaiooQOBoaaaaaaoaBaooaaaooaaooaaaooooaaa 
aacxioooBBaooaaaaDoaaaooaaaBaDOBBaaooaoaa 
BaooaaoaaaogoaaBaaaaaBooaBaooaBaaaoaoDaa 
aaaBaaaaaooaaoaaaaoaBaaaaaoaaaaaaaaaaaai 
BaaBaBBaDBaaBaaoaBaoDBBBoaaaBBBoaaaaaaaa 
■aBBaaBBaaaaaaaaaaaaDBBaaaBBBaaaaaaaaaBa 
BaBaaaBaBaaBaaaaaBaaBaaoaaaaaaoBBBBaBaaa 
■■aoaaaaaaaaQBaBaaaBaaaaaaaaQaaaaaoaaaBa 
aBoaoaoaaBaaoaaaoooBBDooaaaaaoaaaaoaaoBB 
aaaaaooaaaoDBBaaBBBDinaaBDDBBDDBaBDoaoaaa 
BBOaoBaaoBaaoaanaaaBaaaaooBaaaaogaoaaaBa 
■iaaDaoaaaaaBDBaaBoaaaBBaaDaaaaaooDaaBBB 
BBaBBaDaaaBBaaaBaoaaaaaDaaaaaaaDaaDaaBBa 
aaaBDaaaDaaaaBaDDDaaaBDDanBBDflBDDBaaar — 



jaBDaDDaaaaana 

BaaanoDDBaaBODDaDaaaaaaDDDDDaaaBODDaDl 

BBDoaBODoaaaaaaDaaaaBaDDaaaDDBaaaoaDDaaa 
■■BaoaoaDBaaaoaDaaBBBBBDaDaaQBaDaaDaaaia 
BaaaaauaaBBaaaaoaaBaaaaaaaaaiaaaaDoaaoBB 
BBDnBaaaBaBaiBDBODBflaBaDBOBBBBBaaaaaaaaB 
BBBBBaaaBBaaaBBaaaBaBaBBaBBaBBaaaaaaaaBB 
BaBBBBaaBaaaBaBBBBBaBaBaaaaaBBaaBaaaaBaa 



No. 20 



40 Meshe 



BBBaBaBaBaaaBBBBBBBaBBaaaaaBaBaBBaBBBBBa 

BBaBaaBaflaaBBBBBBaBBBBBBBBBBaaaBBBBBBBaa 

BBoaDBaaoaDBaBaBaonaooDDBaaaaDDODaaaaoBB 

BBaBgBgaaBaBBBBBDBBBBBBnBBBBBDBBBDBOBDBB 
BaaDDDOBBDaaBBaOaBBBBBBOOBBaaDDaBOODaDBB 

aBBBOBBBBaBBaBaDaBBaaflBBDDBaaBDaBBBaaaaB 
BaDoaBBDBnDDDoaBBDaaaBDBBDaoaDOBOBBDaaaB 
BBaBaBQaaBBBoaBaaooaBaoaaaaDBaBBDDBBBOBa 
laBBBaBDaaaDaDBaaBBBoaDBDaDBDaaaBaaaa 
laaDaoaoDBaBaDaaBaoaDBOoaBagnBOBB 

JDDDaDBnDDBDDDDBDDDBDaODOBDBDDDaB 

BaBBaBaBBaBBBBBaBaaOQOBBBaaBBaaBBDBBBBBa 

BBBBBBaQaaaaDaciQaQaDDDaDaDBaBaaDaDBBBBBa 
BaBaaaaiaflaBaBBlBBaaaoaaBBaaBBBBaoaBBBBa 
BBafliaaBQODBaBDDDBDDDDBDaaBnaDOOBgDaaaBB 

liDDaDBaDnBBDDaBQDDBDannaaiDDBBBB 



IBBDI. 

■aDBaaBBaooaggDDaBaaaBBaaoaaaaaaaaDBaaaB 
■aDBBaBflBDDaaDDQaBBDDaaaaaaDaDDBBBDaaDBa 
BBDBaaBaaBaaaaaBBaDflBODBBDoaDDaaaaaBagaa 

BaaBBaaaaaaaaar — 

BBDDnaaaDi' 

BBBBODr-Z" 

BBBBBaoBaaaaaBDDoaaoaDaaoDBaaDaoBaoaaaaB 
■BBaaaaBBaBBBBBaaBaDaaaBaBBBBBBaBaaaaaaa 
BaaaaaaQaoaBaBaDaDDaDDaaDaanBDaaoDBBBBBB 
BaaaBBaaaBBBBaBBflBDDDaBaaaBaaaaaaaaaaaaB 
BaDDaaoBaaaaaBDDaaoDDOBaDDBDBaoDBDBDDOBB 
BaaaaaaaaoDaoaaaaBBODaaBaaaaaoaBanDDBDaB 
BaaBBaBaaaaaaaaaoaaaBaBoaaBaaDBDBBBaaoBB 
BanBaaoDaBBBOBaBaaaaaDOBBBBOBBaflaaaaaaaB 

BBDQQBBaBDODDaaBBaBBBBDBBDDnDaaaOBBaaaBB 
aaaaaBBBaoBBBBODBaaoDaBBDaBaaaDBBBBOBBBB 
■■aaDagBBnaBBaBDaBBBaaaDDaaaaDOBBODaaDBB 

BBgBDBDBBBDBBaBBaBBBBaBOBBBBBDaBaaBOBDBB 

aaaoDBDaaDaBBBBaDDaDaoDDBaaaaDDaaaaDaaaa 

BBBBBBBBaBBBBBBaaaBBBBBBBBBBBBBBBBBBBBBB 

BBBBBBBBBaaBBBBaaaaaaBaaBBBaaaBaaBaaBBaB 



No, 21 



40 Meshe 



BBBBBBaaaaaaBBaaaaBaaaBaBBaaaaaBaBaBaaBB 
BBBaBaBBBaaaaaBBaaaaaaaBBBaaaaaBBBaBBaBB 
QgDjiaBanaBBDDnaBnaDBBBaanaanaDBannDaaBDD 
aBaDBpganpBBDBBDnaDDaDaaDaaBaBBDDaaaBDaa 
aaBgBaBBBDBaDaBDaaBaBaaaaDBaDaaaBaaaaaaB 
nDBgBQBaaDaDanaDaaBQanBDDDBaBaaaaDBaaaan 
BgaaaDflaBBBDBDBBBDBaBaaaBBBaBnBBBaBOBQia 
□oaDBDaDBBagaaaaaaBaaaBDBBBaBaaaaaBDBaaD 
H2H292529SB95°M°°"°°C]»DDBaaanaaDnaDnnaD 
aaaBgBBagDDaBnnaaaBBOBaBaaaaaaaanaBBaBBB 
BiGaagaBBaaaBBDaaBaaanaBaaaaaaDBBBDaaaDB 

■■■■■■■■■■■■BBBIBBBflBBBBBflBBBBBBaBBBBBBB 



aaBBaaaaBaBaaBBBBBaBaaBBBBBBoa 
aaaooaaaoaBBBaBaaaaBBaoaoooaaa 
aaDoaaaoooaaaaaaaooaoaooogooaB 
aaaoBBoaBBaoBaaBBaoBBBagaioaaa 
aaaoaaaoaooaaaDOBBaaQBoaaBDDBB 
aBBooaaaDaaaBoaaoaaaooooBaoaBB 
BBoaaoooBaaBaoaaoaaaaaoooaaoBB 
BBDnBBaaoBaoDaBBaaaBDaaaaaaaaa 
BaaaaaaaaaooaBaaaaDOOBaooaaaaa 
BaBaaaaaBoaBBBaBaaBOOBBBoaaaaa 
aaaoaaaBOOBaaoaaaBDaoaBBBQDBBB 
BBBCBBaBaBaaaBBBaoBBBaaBBBoaaa 
aBaBBBaQaaaaBoaaoaoBBonDaaiaaa 
aBaBaaBBaBaaaBaaaBBaaaaaaBBBBB 
aBaaBaaaBBaBBaaaaBaaaBBBOBBBBB 
BaBBBaoaaaaDaaaBoaGBBaaoaaaaaa 
aaBaaBBBaaBaaaaaBOBBBDBBaBgBaB 
aaBaoBBBODaaBQaaaaoaagaaaoOBaa 

SaaaaaaaangaBBaaaaaooaaaoBaaaa 
BBaBDaBBGaoBaaaBaaaaBBaoiDBBB 

BaOOBBQBDBBOaGBBaDDBBQBOBBqOaa 

BaaGGaGaBBaBaaaBaaaaBBgoaonaaa 
BaaGGBGaGOBBaGBBaaaaanaDigaBBB 
aaGaaaaaiDaBBaaoaaaoaBoBii^BB 
BBaGBaGaiBBaaaaaaaoBBBoaaaaaaa 
BBODaDaDaaBGaaaaBaoaaanoooagBB 
BBaaaGBaaaBaBBBBaaBBaaaBODaDBB 

BGaBBBBaaBBBBBBBBBaBBBBBBBaaoa 



aaanl 

BDaQOGaGaaBBBGaDGBaBBBaBaaODOBOB 

BDDDBaBOBaaBOGoaBGGoaBBBaaaaaaaB 
aaGaaDaaoBBBDDoaBGaGBBBGBaoGBoaa 

BBDBQBGaaaOGBDBaaaGBGOBOBDBnBQBa 

BaaaDaooBaaaBaBaaBDBBooBDODOBaaa 
BDDDaBaaooBBBBDBaGaBaaaaaaaBDDaB 

BGaBDDBaBaBBDOaaaggQBBDBDBODBaDB 

aaBBaaGaoaBDaaaDGBaBaaDaGDBBBBBB 

aaBBBOGBBBDaBBGaaDBBBGBBBDgBBBBfl 

aBaBBGaiBGaGGoaBBaDDaaaaaBQaaaaa 

BBBDGaBaDBBGGBBaBBaGGBaOBBBGDaBB 

aaDaooGBDaaoaGGBBaoBDaaaaooaGDaa 
aoaGDBBDDBoaBaaDDaaBBaaDDBaaaBaa 
aGDaaaaaaaaaaaoDGOBaBaooaaiBaoaB 
BGaBaBaBDoaaaaQaaGaBaaaGBBBBBDaa 
BDaaDBBGDaaaBDaaDDGaaDBaoaaDDBoa 
-iGGaGGaaaBGaoGBaDGaGaaDaaoDQaaa 



^ ,^ jODBDaaaDBDaa 

BaGaDGDaQaaanGGaaDOGaaaaaoaGaaaa 
BGnoBaaGaaaBaGaBBGGGaaBBDaaaaDaB 
aaaGaGGgBBaBaDBaDBDBBBBBDDDaDaaa 

BGaGBBBOgBBBBBGOGaBBaBBaaBBBDOaB 

■BaBaaBBiBBaBBaBBBBBBaBBaBBaaBaB 

No. 24 32 Meshes 



aaBBaBBBBBaBBaaBBBBBBaaBBaaaBB 

BBBBBBBBBBBBBaBBBBaaBBBBBBBBBB 

BBBBBBBaBBaBBBaaaaaBBaaaBaaaaa 
BagBBaaBaDBaBaBBBaBaDBBDaaaaaa 
aaBDaaaBoaaGDaaBaaaaBGaBGaoaaa 

aBaBGGBBDaDaBDaBGBBGBOBaDDBBBB 

aaaGaaBGaBOBGOBBaDBGaBaBDaGaaa 

BBDBBBaaBaBBBaBBDBBBDBDDaaBGBB 

BBBBaoGGGGaaBBnGBBaaaGaGDaaaBB 
BBaaaaBDoaaBaBBBBBBaaaaaaaaBBB 
BBDaBBaoBaDaaBaaaBBGDBgoBaBOBa 
aaBBaaaBGGBGaaaBGaGBDGaBaaBBaa 

BBaaaBaBaBGBGDaBDGaGBBBBBaDBBB 
■BBDBgBBBBBqaBaaBaGBaBBBOaDBBB 

BaaBDaDBaBGDaDaaaBaDaBBDDaaBBa 
BaaaBBaDBBaaDaGDBGBBBBaBaBBBBa 
BBaaaBBaBaaaaaaGBGaaBBaBBaaBia 
aBBaaDaBBBGGBaBBDBoaaaBooaBBBB 
■aaGBDBBBBBGaaGDBGaaaBBBaaQaaa 
BaaGBaaBBBGaGDaBDgBGaaaBBaGBBa 
- — iDaBaaaagaGaaaBaaDaBBaDr — 



■BaBBGGGGaBBBBGaBBaBaGGDGBaBaB 
■BGBaBaGBaBBBaBBaBBBaBaaflBBaBB 

BBBDnaaGBBGaaaBBaGBaaBaBnaoBBB 



BBBBBaaBaaaaBaBaBBBBBBBBBiBaBB 
■BBBBBaaBBBBaBBBaaBaaBBBBSBBBB 

No. 25 30 Meshes 



Notice that there are always two threads or strands to the top of a stitch in 
crochet. When working into a stitch, be careful to "take up" or "work into" both 
strands, in order to make the work firm. 

2nd row — Work 1 t into the top of the next t below; ch 2, work a t into next 
t below; repeat until you have worked a t into the last I below and have come to the 
end ch; then ch 2, miss two si on the ch; and work a t into the third st; ch 5; turn. 

Repeat the directions for the 2nd row until the square is completed. 

Then examine your work. The meshes should be square. If their width ex- 
ceeds their height, either the chain stitches or the tops of the trebles are too loose. 
If their height is greater than their width, the trebles should be drawn up shorter. 

A little practice with these points in view will enable one to correct the fault, 
and this should be done before any elaborate piece be attempted, for the irregularities 
will show much more in a large piece. To make the solid meshes, two trebles are 
worked in place of the two chain stitches (which are worked between the trebles to 
make an open mesh); if the mesh below is an open mesh, then these two trebles are 
worked over the 2 ch below; if, however, the mesh below is a solid mesh, these two 
trebles are worked consecutively into the two trebles below. 

It will not be difficult then to follow any pattern. Take, for example, Fig. 2, 
insertion No. 16 (Plate 1). Being 9 meshes wide we begin with a chain of 28 and 
chain 5 more to turn. In the first row work 6 open meshes (o), 2 solid meshes (s) 
and 1 0, always ch 5 to turn. 

2nd row — 2 o, 1 s, 1 o, 3 s, 2 o; turn. 

3rd row — Same as 2nd row. 

4th row — 6 0, 2 s, 1 0. Repeat from 2nd row until you have the length desired. 

To work a corner (see Fig. 3) chain 28 and 5 more to turn; work a t into 
the 9th from the needle, thus making first mesh of the first row. Work 7 more open 
meshes, then a dt into the last st of the foundation chain, thus forming a triangular 
mesh. To turn, work 4 very tight chain stitches, then work a t into the next t below, 
thus forming the first mesh (also triangular) of the next row. Proceed to work 1 
open mesh, 1 solid mesh; 2 o, 2 s, and I o, to finish the row. At this end turn in the 
regular way with 5 ch. This row has I o, 2 s, I o, 1 s and 1 o; now work a dt into 
the last t below, work again 4 very tight chain to turn, work a t into the next t below, 
then 5 0, to finish this row. Turn with 5 ch; work 2 o, 1 s, 1 o, and a dt into last 
t below; turn with 4 tight ch and work 1 o, I s, and I o; ch 5; turn; 2 o; 1 dt; 
4 ch; turn; and 1 o. 

As a simple finish for any piece, work a row of double crochet all around the 
edge, three d into each space of two chain and 6 d over every space or corner of five 
chain. 



PLATE m 

■■■■■■DaaaBDCGBBaaMG BaaaBaaaBaiaBaaaaaBaBBBBaBBaBBBBaBaaHBnBiaianiiaa 

aBBBODBaaaaaaDaaaaao BaaaaaaBBaiiBaaaaBaaaaaBDaaaSoBBBaDaBaSaaBaaDBBBaDBB 

BaaaaDBaDaaaaaBaaaBa aaaDaaaBaaaaBaaaaaaaaBBDaaaaaBDBaaBDBaaBaBaDaaaaDBDB 

aaaaaanDaBaaaBBaaDDD BaDnaDDDBBBnDDBCDDBBBDDDaaDDBBBDDaBDaaBBBanDBDDDBBBQ 

aBBBBaDBBBBaaBBBaaaa aaDBBBaDBaiDaBBBDaaaBDDaBaDDBSBooaBBaaSSBDDBBBoaBaBD 

aBaaDaaBBaBaaaaaaaDD aDaDBoaaDaaaBaaaaaaBaaaDaaaaDaoDanBaBDDBDaaDBDBaaBaD 

aBBaBBBBBDaBaaaBBDBG BaaanaaBaDHBBDBBBBaBBBBDBBBBaBBBBDBBBBaBBBaaBBBBOBB 

— "— --iDBBBaaaaDDD □DBDaDaDDBDDaaaDanaBDDaaanBDDBDDBaBDBDDBDaBDiaBDDBDD 
-.r.n,.rnr^..,aaQ BaaBBaDaBaiODaBBaDaaBDoaaaDaaBBDDBSBaQaBBnnaBaoDBBBO 
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aBBBaaagaaBBBBBaaaaDBaBaBOBaBDBaBaiDBDanaaBDBDBaaaBaBaBaaaaaBaBaaaaaaDBaBaac 




BBaBBBBflDaaBaaBBBBBBBBBaDaBaDBBBBBIBaBDOaBaOBBBBBBBBaaBDOaBaaBBIBBBaDBDDai 

-"-"-"-iDDDnDDBBBBBBDBaDaDaaDBBaBBiaaBDnDDDnaaBBBaaaDQDDaDBBaBBiii 

JBaaBaBBBBBBBBaBBDaBaBBBBBBMaBBOaBaBBBBBBBBBBOBOaBBaBBBBBI 

■BaBBBaaaaaDDaBBBBBBBaaaaBDaaBBBaaBBQaaQBaaDiBBBBBBBoaQBaooaBBBBBBBaaaBaaaaa 

BBDBBBDDDBDnDDDDBBBBBDaDBDDDaDDBBBtBDDaBaDaDDDBBBBDDDDDaBDDDBBBBBDDDaDDBDDDB 

BBBaBBBBaoDBaaBBBBaaBBBaaaBDaBBBBOoaBBaaaBoaBBBBBBBBaaBaQaBBBQaBaBaDaBaaaBaa 

BBBDBBBaaaDBBBBBBBDBBBOBaOBBBBBBBaBiaaBaaBBaBflBBBBBBBBBaaBDBBBOBBBBBBBDaBaBa 
BBaaBBDBBDDaBBBaBaaaBaBaaaaBBBBaaQiBaBBaaaBBBBaoaBBBBBaaaBBaBBaaflBBBBQaaBBaa 
BaBBoaBBaiBaaBBBOBfloaaBBBBBaaaBDaaDDaBBBBBOBaBaBBaaBBaaaaaaaaapBnaaSnaaaaBHn 

aBaBBDaBaBBaaaaBaBBBaBBBaaaaBaaaaaaaBBBBBBBBaBBaaBBBBBBBBBar — 
BaaaaBaaaBBBaaaaaBBaBDaaBaaDBBaaaaaBoaaBBBaBBQOBBDDBBDaaac' 

BQDaQBDBanDDaanBBaBBBBBBaaaBaDBBBBaaaaBDDDBDaBBaBaaDnBDDDi. 

aacEiBaBaaaBaaBaaBaBaaBBaBaaaaBaaaBiaBBaaaaaBaBBaBaaBBaaBaBBBBaBBBBaaoBaaBaaa 
aBBBBBaBaaaaBBBaaBaaaBaaBBBBBBBBaBHaBBaaaaaBaBBBaBaBBBaaaBBBaBBBaBaBaBaaBSa 



No. 26 l9Meshe 

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■BBBBBBBaaBBBBBBBBBBBBBaaBBBBBBBflBBBaBaal 



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laaBBaaBBBBBBaBBaar 




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aDBaBaBBBaflaaaGDaaaaBBaBBBaaBBaaBaBDBBBaaaaaaaaaaBBBaaBBaaBBaaBBBQBBBaBoaaaa 
anaaBDaaaiBaaaaaBaBaQaDBBBDaaaaaaaaaaaaaaaaaaoBBaaQDaaaanaaaDaBBaaaaaaaaaaaa 



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■aaaQBaBaaaaaBBaoBaaBBOoaaBBBBaBBDaaaaaaaoBBoaBoaaBaaaaBaBBaaaaBBBaaaDaaaaaa 



DDBODl 

nQDODBOai 



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BOBBOBBiaaaOQOBOaOQDBOOODBBBBBOBBDBaaBBaoaDBaOOODBaoaaBBBBBaBBDBiBBtl 

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"-—■ ■BDiDaQBBBaDaDaBBDaaDBBBDDODBBBDBDBDBr " 



aQaBaaaaQDaaaaaoBDaaBaBaoaaaBBaaaDBBBDoocBBBOBaaalBBOoaaBBaoaaoBBBoaoaBBBOaa 

aaQaaoHaaQaaaaaaaaaBaooaaaaaoaaoaaaaBoaoaQaaoaoaaaaDOoaaaaaoaaaBaaar 

aBaaBnaaBaagBaaoaoBoaoBaoBaBaaaaaaoBaBaDaaoaaBaaooaaaaaaaaoaaoaoiaaac 



BBaBBBBaaaBaQaaaBaaaBaaaaBBBBaaaBBBaBaBaaaoaBaBBBaDOOBBBaBaBaaaaaaaBBOoaaBaa 
BBBaBBBaBaBBaBaaaiaaBBBaaaaaBBaBBaaBBaBBaaaBBaaBBBBaaaaaaBaBaBBBaaaaaBBBaaaa 



JDDDBaaQQDaaaDOQBQBQDQBOaDODaOaOOaaaaaQOBOBOOOBDBODDBDBaODBaaQDOBDBaQaBDBODD 

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oaaaaoaaaoaaaaaBaoaaaoaaaoaaaoaaaaaaaoaaaoaaaaaaaoaaaoaaaoaaaoaaBoaBaoaaaaaa 

aaB0aaD08«D00BBDD000BB00aBBaQD00aBD0DBBDDDDD8BQDDBBaaDaaBBDDDBBDaanaBBaDDBBD 

BBaaBBaaaBaBaBBaaBBBBBBBaaaaaaaBBBaBaBaaaaaaaBBaaaaaaaBBaaaaaBaaBBBBaBaaBBaa 

No. 30 8 Meshes 



FOR THE CHILDREN. 

The children will be more than delighted to have their old friends, the Spider 
and the Fly, Bunnie, Goosie Gander, and others represented on Plate XIII, appear 
in borders on their bibs, their towels, crib covers, or even on their tiny pinafores. If 
their initials or names be also introduced a most individual touch will be given their 
possessions. 

FOR PILLOWS. 

A square of filet crochet showing design No. 50 or No. 56 used for the center 
of a pillow cover, and having a border (No. 53) done in cross-stitch on linen, would be 
charming indeed. Any one of the borders shown on Plate 1 could be substituted 
for No. 53. Again, the square might be worked in cross-stitch on linen or canvas 
and a border crocheted for the outside. 

Another effective method would be to alternate squares such as No. 78 and No. 
23, or any two squares having the same number of meshes, and joining them to form 
larger squares, oblongs or strips. For bedspreads, pillow covers, bags, table runners, 
dresser covers, guest towels, sheets, etc., these designs offer an unlimited field for 
happy combinations. D. M. C. Alsatia is a beautiful, lustrous thread most suitable 
for such purposes. 

FOR DRESS AND WAIST GARNITURES 

If made with very fine thread nothing could be more exquisite than the dainty 
insertions shown on Plate 1 , used in connection with suitable squares as inserts. The 
wider insertions No. 37 and 84 and such as shown on Plate III would develop into 
handsome bandings and if done in a heavy mercerized or linen thread would be most 
appropriate for linen gowns and suits. 

FOR THE PORCH. 

No. 72, 76, 78, 93 and 98 could be cleverly introduced into the porch furnish- 
ings not only in filet crochet but in cross-stitch as well. 

ALPHABETS. 

Even embroidered initials could not be more dainty and effective than one 
of the beautiful letters of alphabet No. 9 for marking linens. 

Initials may be inserted in the comers of napkins, and names or initials into 
the borders for guest towels, sheets, bedspreads, dresser covers, etc., and strips of 
filet with the words Laundry, Neckties, Handkerchiefs, may be substituted with 
excellent results for the usual embroidery or out-line work on the different bags and 
fancy cases so generally used. 

The College Girl will appreciate having her effects marked in this way, which 
is not only pretty, but novel. 



PLATE IV 



■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■ 
■■■■■■■■■■DaaaBBaBaaaaaaaaaaaoaBaauaBaa 
BaDaaaaoaDaaaaBBaaaaaaaaaaaBOQooooaaooaa 
aaoooooaaDBOoaoBDaaaaaaDaaoooaaaaooaooaa 
BBaaaaaooaoaaagDaaBBaaaBQQiaBOioofggo!!! 
loooaigagagf 



lODi 



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aBBaBaaaaaaaBaaoaBBaaaaoaaaaaaBaQgBagBaB 
BaaaaaaaBaaaaaaaDBBBaaaDBDBaoBBBBDDBoaoa 

BOaDBBaaBaODOaaDDDBBaBDDDBDDaDBBBBaaDDaB 

BDDaaDaaDDDaaaananDBBDDaaaDBDngDBBDDBDDB 
aaDaBaaDaBaaaaBBBlcaaDBaaaaBBDBaaDBBOOBB 
aBaaDaBBoaoBBBaBBBBDoaBBBBBBaoDaaaDDBDaa 
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BBaaaaoBBaanaaaaDaaBaaaaBaoDaBaBBDoaaoBB 
aaaQaaaDaaaDaaaaaaBBaaBBBBaaoaDDoaaaaoaa 
aaaaBBBaBBgDQaBBBaaBBBaaaBBDaoaBBaBaaaaa 

■aBBBBBBBBaBaaBBBBBBBBBBBBBBBBaBaaBBBBaB 



No. 31 



40 Meshe 



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BaBaBaBaBBBaaaBBBaaaBaaBBBBBaaBaBBBaaaaa 
aaoaaoDBaBOoaaaBBBBaaaaBBBBBDaBaaDDaaoaa 

BaaaBDDBODBBBaaBBBaaBBBaaBIBBBODBDDBDnBB 
BaaBBBOaDDBaiaBaaBBBBHBBBBBBBDDaOBaBBBB 

aaaaaaBBaQDaaaaBaaaBBBBaaaaaaDDBBBDaaDBa 

■BDDOaaaBaDBBaaOOBBBBaBDDnDBBDaBDaBDDaBB 

BBBaBaDaBBDaoaaaaDBaaaDDBODDBoaBDoaaaBBa 
aaaDaaBBaaaaaaaBBBaBBnaaaaDDaDaDBBBDaaBB 
aBaDoaaaaDaaBDaBBBaaaaaaaaoBBBDaBDoaaaaB 

BBnBBDDQOBDDBDDBBaDBBODBBDDaaDBaDDaaBDBa 
BBaBBBaBBaDDBBDBODBBBBDaBDBBDDBBBBBBBDaB 

BaBBBBaaaaaaoaoaaDBaBaaaaaBaiBaaaaaBBBBB 
BaaaflBDaaaoBBaBBiaDaaaDaBaoaBoanDDaaaBBB 

BBflBaBaDIDOODBDaiDDBBDaBDDaDDDDBDDaaaaaB 

BBaBBaaBBBBBBBQaBBaBaoaaaaaaiBBBiDBBBaBB 
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BBaaBBDaaaDBaDaaaDoaBaDBaaaaBoaaDaBBBBBB 

BBBBaaaDDBBBaBQBaDBBBBQaBDBnaBBaDBBBBaBB 

BaDBBaBBBBODBaaaaDaBaaDaaDaBDaBBaBBBaoBB 
BBDBaaDDDBDaBDaBBDaaBaDBBaaBDDBaaaDBBDBa 

BaaDDDOaBaBBBaOBBBBBBBBBBDOaBaDBBaDDDBBB 

BBaaDaaaDBaBaDBBaBaaBaBBBBoaBDBaBBBoaBBB 
BaaaaaaDaBaaDDaaaaaaaBaoaaDaaDaanaaBBBBB 

BBaDaBDaBDDBBDDaDBBBBBBaDDaaBDDaaOBaoaBB 
aBDDBDaBBaDBBBBaBaBaBBBBBaBBBDDBBBQBDDBB 

■BaBaBaBaaaBaaBaBBBBBBBBBBBBBBaaaDBaBBBB 
aBaaaaDBaDaaBaaBaaBBaaaBBBaaBBDDBDaaoDBB 
BBaDaDDBBanDBBBaaaBaBBaaaaaBaDflBBaDaaDBB 

BBaBBBBBBaBBBaBBBaBBBBBBBBBaBBBBBBaaBBBB 
BBaBBBaaBaBaaBBaBBaBBBBBBBBaBBBBBBBBBaaB 



BaaaaaaaaaaBiaaaaBaaaaaaaaBaaaaaaaaaaaaa 
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aaaaDaaiBaaaBaaaBBaaBaaaaDaBBaaaBBaDBBBB 
aDnaaBaaaaaaaaaBaaaaBaaaaanaDBanDDaaaaaa 
aaDDaaaaaaaaaDBaaaaaaaanaaaDaaaanaaaooaa 
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aaaaaaaaaaDaaaaaaaaaaaaaaaaaannaaaaaaaaa 
■BBBBaBBBaBBBBBBaBaaBaaaaaaaaaaaaaaaaaaa 



■BBBaBaBBBBBBaaaaaBaBBBBaaBaaa 
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aaBBOOBaBBBBQaBaaoaaaaoBoaaaoi 
aoaaaoaoooaoBaaaaaaaoooooaaBoa 
BBoaoaBaBaaBaaaoaaaaDBaaaaaDaa 
BaooaBaooooBaaBBQaBoagoaaoaaaa 
BBBBQaaiaoaaaaBBBoaoDDBBaaBBBa 
= TiBBBDaaBaaaa 



BoaaoaBBoaaaiBaaBaBaBaaaaoaaaa 
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BaDaBBOBBaaDBgBaaBDDBBBDBaBoal 
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aBaaaaaDaooaaaaaaaagaaaaaoaaii 
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aBoooaaaooaaaBaoaiBaaaaDBDDaaa 
BCDBDBBaaaBaBaaaaBQaaBBBaaaDai 



No. 34 



30 Meshes 



BBBBaaaBBBBBaBBBBBBBaBBBBBBBBa 

BBaaaBaBBBDaaBBaBBaaaaBBaaBBBi 
aBDaoaDOODBaaaaaaaaaDoaDBaBaBB 
aBBDDBDBDaBBaaDaDaaaoaaaBnaaBi 
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■aai 



lai 



No. 33 



12 Meshe: 



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aanaaaaoaaDDaaaaaaaaDanaanaaaDDi 
BQaaaaDODDaaaaaaaDaaoDDnaoaaaaaa 
BaaBaBBanaaaBDBBBBDaBDDaDaBaBBDi 
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■aoaaBaaaaaaaaDaaaaDaaDaaBBaaDaB 

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BagBaDBaaaDBBBBBBaBaaaBBflBaiaaBB 
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BaBaDaaaBaaDDaaBaaaacBBaaaaDaBoa 
^saBilDaaDnnaaBaBaBaaDnDnDaaDDDB 



32 Meshes 



No. 36 



A LUNCHEON SET. 

Design No. 70 shows a novel arrangement of a square pattern in a round design 
and would make a stunning centerpiece for a round table. For lunch cloth, table 
runner and buffet or sideboard use border No. 71 and No. 55 for a corner in the border. 
Widen the border by two rows of meshes on each side so that the number of meshes 
may be the same as in the corner. The effect would be enhanced by using No. 75 
as inserts in the corners. See illustrations. No. 30 D. M. C. Cordonette Special 
was used for the centerpiece. It is very handsome inserted in the center of an em- 
broidered centerpiece, as illustrated, but may be used alone and if done in D. M. C. 
Alsatia No. 15, will measure over 15 inches in diameter. If an edging be crocheted 
around the edge, it would add both to its size and beauty. 



PLATE V 

■■UBuaMaDBBaaaBBaaaBHaaaaaasaasoaaa oaa ■■■■■■■■■■■■f!!!!!!!!!!!!!!!!! 

aaaDaaaaaDaaaaaaaaaaaoaaaoaaaaaaoaaa aag ■■■■■■•■■■•■■■■■!!S!!5!!^A!^!A!S 

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BBaaauanDBaoBaaaDaDBaaooaoDoaoaaBBaa aaa aaaaaaaaBaaaaaaaaaaBaBaaaaBaaa 
aaGaaaaaBaDaaBaaaaDBBBuaauDoaaaoaaaa 

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No. i7 56 Meshes No 40 1 7 Meshes No. 41 18 Meshes 



II 



DIRECTIONS FOR MAKING THE ROUND CENTERPIECE. 

The first row having 16 meshes, work 49 ch to begin with and 5 more to turn. 
Work I t into the ninth st from needle, thus forming the first open mesh, and work 
15 more open meshes to finish first row. The second row is four meshes wider: in 
every such instance, work 3 ch for ever> additional mesh and 5 to turn; then 1 t 
into the ninth from needle to complete the first mesh of the row. Proceed to work 
the next three meshes the same as those upon the first foundation chain and then 
work into the row beneath 1 o. 14 s. 1 o. The second row has also four more meshes 
at the end, and no foundation to work into. Proceed thus: ch 2. work a triple treble 
(tt) into the same st, into which the last t was worked: this forms the first of the 
additional meshes: ch 2, work a tt into the middle of the tt below, forming the 
second mesh; repeat until you have as many meshes as needed. Care must be 
taken to work the tt into the tt below in such a way that the work will be on a line, 
and the meshes as nearly square as possible. The third row is again four meshes 
wider than the second row. therefore ch 12 and 5 more to turn and proceed in the 
same manner as directed for the beginning of the second row. At the end of the 
third row add the meshes in the same manner as directed for the end of the second 
row. 

To narrow: Simply omit the meshes as shown in the pattern and do not 
work the 5 ch to turn at the end of the row (the last wide row), but si st over the 
top of those meshes which are to be omitted, then ch 5 and work a t into the next t. 
In place of the slip stitches, the loop on the needle may be drawn out long enough 
to reach the place where the next row is to begin. The loose thread will be covered 
up when the finishing row is worked around the edge. 



CARRIAGE PILLOW. 

Use D. M. C. No. 1 50 for the letters. The letters are 23 meshes wide and 
two open meshes as well as the extra treble are added on each side, therefore begin 
with a ch of 84 and 5 more to turn. After the first open mesh and also following the 
26th mesh work an extra t into the st below thus forming the line along each edge. 

Two rows of open meshes separate the letters and to finish the edge doubles 
are worked over each space all around. 



12 



PLATE VI 



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No. 42 



40 Meshes 



No. 46 



31 Meshes 



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aBaiaBBBBBBaBBBBaaaBBaaBBBaBaaaaaaaaaaaB 



No. 43 



40 Meshe 



BaaBBBaaBBBaBaBBaBBaflaBBaBBBaa 

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No. 48 

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BBBBBaiBaBBBBaaBBBaaaBaBBBBBBB 
No. 47 30 Meshes 

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No. 44 



14 Meshe 



13 





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14 



PLATE VII 



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No. 53 I I Meshes 

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No. 54 6 Meshes 

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No. 52 



34 Meshes 



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No. 55 29 Meshes 



15 




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No. 57 12 Meshes 



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No. 58 



19 Meshe 



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17 



TOWELS. 

No. 1 shows how parts of designs may be used in combination, thus extending 
the uses to which they may be put. One of the goslings (Plate XIII) and a part of 
the insertion on Plate VI, are worked in separate blocks, a row of solid meshes being 
added to outline each block. After all are finished they are overhanded together 
and a finishing edge of d worked all around. The embroidery is done in white, out- 
lined with yellow, the large dots being filled in solid, with white and yellow French 
knots. 

No. 2. In this towel the filet initials are very effectively combined with cross- 
stitch embroidery done in two shades of delft blue. 

Use D. M. C. Cordonette No. 150 for the letters and D. M. C. Mouline Special 
for the embroidery. This pattern for cross-stitch and many others equally as attractive, 
printed in colors, may be obtained from your dealer, or direct from Cora Kirchmaier, 
Toledo, Ohio, upon receipt of price. 10 cents per sheet or 50 cents per set of six. 
There are from two to eight different designs on each sheet. 




PIN CUSHION. 

The front of this charming pin cushion is made of ecru linen and the back 
of pale blue lawn. The initials were chosen from the smaller alphabet and are done 
in D. M. C. No. 100 (either white or ecru). Pale blue ribbon is run in and out around 
the edge to fasten the top and back together and dainty rosettes finish off the corners. 
A tiny white lace edging finishes the edge of the cushion top. 

18 



PLATE IX 



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No, 60 12 Meshes 



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No. 62 



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aa aBBBBB aaBaaa 

aaaa BBaaaQnaaa aBBDanaaaa 
aaaaaa Baaaaaaaaaaaaa aaaaoDaaaaaDaaa 
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IBBB 

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BaaBaaaBaaaaBaaBDaaaii-, 
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■'P BanaaaaaaoaaagaaaaooaaaDBi 




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aDBDDDODDOODDaDDDDBBBOaBDDBDDBB 

aoooDaaQooaaDoaoooBoaiaaBDBBOB 

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aaaaaaBBaaaaaQBBaaaaBBaaBaBBoaaaaaBBBaaaaa aoooaoaaaaoDoaaaaaoooi' 

-iBar " " — " " 



BaBBaBBBaoaBooBaaBaaDBaaaaQOBaBaaaaBaoBBaaa 
aaf 

BBI 



aoDQDaDDoaaaaQi 



■aai 



aDaaaaaaaaaBaDBBBDaaaaaaaB 
aoooaaoDoaaaaooaQoaooBaoB 

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JoaaaaBBBBaaaa □oooooooDaaBDoaaQOBaaaDB 

aaBBBoaBaaooooooOBBaaaaaaoooaoaBaooBaaaoBoaaaaaaa aoaaaooaaooaaQoaaooaaoa 
BBOBaaoaBooBaoaaoBBaaaaaBOooaooaaooBaaaBaBaaBaaaaa QoaQODaBoooBoaaaDoaaoa 
aBDBaBDBDaaBaaaaaaaaoaBaaaaDaaBaaaaaaBaBBDBBaoaaaaa aoooDOBaBDOBBOOBBaaoa 
BBBOBBaoaaaaaBaBaBBBaoaaaBoaooaaooaaaBBaBoaaaaoaiaaa DaoaoaaooanaoooaaaaB 
aBaQoaoaaDaBBBoaiaaaaaaaaaooaaoBODBBooaaQaoBaaaaaBaaB aaoaaaaaaaDaaaaaaB 
BaaaaaBaaaaaaoaaiBBoaBaBoaBaaaoaaBBaaaBBoaoaaaaaQaaBaB oQaaoaaaoaaaaBaaa 
BaaaaaQBBBaaaaaaoooBBaDoaBoaaaaBBoaaaaaaaBaoaaQoaBaaaaa oaBBQaaaaaoaaoa 
aaaoaBaoBaBBaoaaaaaoooaBBaaoaBaooBaBoaaaaBBBODBBBBOQQaaB aaaaaaaaaoaoaa 
aBaQaDaacxiaaaaaaaaaaBaaaBaaaoaaaaBBBaBaaaaaBaaaaooaBaoaaa aBoaaDaaaaaor 

IBaBBBiBBBBBBaBBBB 



BaBaaaBaaiaBBBaBaaBaaaaaBBaaBBBBaBBaBBBBBi 



No. 61 



59 Meshes 



IDDBnDBDai _ 

DaaaaaaaBDa 

16 Meshes 



19 



FOR THE TEA TABLE. 

The quaint Japanese designs (Plate XVII) would be most charming in tea 
cloths, napkins, tray cloths, etc., and could be used to make a most unique and artistic 
tray. For a round or square tray choose No. 99, for an oval or oblong tray select 
No. 94. Parts of these designs may be omitted or they may be combined with others 
or parts of others, to suit the fancy of the worker. It may be desirable also to add 
several rows of open meshes or a border to give the required size and shape. A 
mahogany frame with brass handles is always elegant and if the lace be made with 
an ecru thread and laid over a color to harmonize with the frame and perhaps with 
the rest of the tea things, the effect will be rich indeed. (See frontispiece.) 

TRAY. 

The tray shown in the illustration measures lOx 15 inches; the design is 
worked in No. 100 D. M. C. Other styles with wicker frames and handles come in 
both green and brown, in different sizes, and in round, square or oblong shapes. They 
are not only very new, but artistic and handsome, as well. 

For a size 15 x 20 the filet may be done in D. M. C. Alsatia, linen color, cream 
or ecru. No. 1 5. A border of wood may be left to show all around the edge to simulate 
a mat, or if preferred, the filet may be made to cover the whole bottom of the tray, 
in which case a coarser thread may have to be used or a smaller tray chosen; or, 
a sufficient number of rows be added to the design to obtain the required size. 
AN ELABORATE DINING ROOM SET. 

Use the matched designs on Plate IX. No. 62 for doilies, the insertion and 
the border. No. 60 and 63 for table runner and sideboard cover; the central figure 
of No. 62 with two or more rows of open meshes added all around, for inserts in the 
napkins. 

A square or oblong table cloth might have one or two rows of the insertion 
and the border around the edge and if the corners No. 61 are also inserted the effect 
will be very rich. 

No. 63 would make a handsome square centerpiece, and could be made any 
size desired, either working the center of solid meshes in filet or having a linen center. 

For a round cloth, equally charming, use a circle of linen the required size. 
An oval would be lovely too. All around the edge place crocheted circles or medal- 
lions like No. 62, touching each other; allow the upper half of each to lie on the 
linen. After basting them in position, carefully buttonhole the upper edges of the 
medallions to the linen, then cut away the linen beneath the crochet, leaving an 
edge which must be neatly turned under and hemmed. If preferred, the linen may 
be cut away after the circles are basted in place, then turned under and the button- 
holing done over all. 



20 



PLATE X 



■■aaHaoaaaaaaaaaaaaaoaaaoaaaaaaaBaaaoaa aaaoaaaaaaaaaoaaa ■aaoaaaaoaaaooaaa 
aaaooaooaaaaaoaoaoaaaaaooaaaaaaaaaaQoaaa aaaaaaaoaoaaaaaaa ■aooaaaoooaaaooaa 
aaaaaaaaaaaaaaaaoaDBaoooaaDaaaaaaaooaaaa ■aaaaoaaoaaoaaaaa Baooaaaaooaaaaaaa 
„_„ „„ — „„ „ ■DoaaDDDaoDDaaDDB 

TiaQDBBaa 

^ jgaaaBDa 

■aaaaaoaaaaaaaaaa 
■aaaaaBoooaaaaooa 
iaaaaaaagoaaaooor 



taoaot 



tOQPOM 



aaaaaaaaaaaaaaaaaoaaaaaooaaaaaaaaaaaaaBa aaoDoaaDnoaaoooi 
BaaaaaaBaaaaaBBanoDaaaQOBaaaaaaaaaaBaaBa BaooaaDoaaaaacooa 
aaBBaaaaBBOoaaBBBoaBBDaaBaBaDDaBaaaaaaBa aaoaaaaoaoaooaoaa 
BaaaaaaaaaaBaoaaaaoaaoaaoaoBaoaaaaaaaaBa BBBaaaaaoBaBoaaaa 
aaBaaaaaaaDBBaoaaBBBaflBaDaBBaaaaBaaaaaaB BaaaaaaoaoBBaaaBa 
aBaoaaaaaaaoaBaaaaBaaaaoaaaaaaaaaaaooBaB BaBaiaoaaooBBaaaa 
BBoaaBOBaaBooaaBaDaaaaoDBBBoaaaaBoaaBaaB BaaaBaaaaoBaaaBaa 

BBQoaBoooBaoaaaaaaoooaaaaaaooaaaooaaoaaa aBaBBBaooQaaaaaaa w^-ww 

BaoaoaaaDDBaoooaoaBBBBaoaaaoBBaooaaaooaa BBaoBBaBaaaaaaaBB ■BaaBaanBaaaaaaBB 
BBBOGaBBoooaaoaBBooaaooaaooBBDDQBaoaoBBB aaDDDaaaBaaaoaaaa ■BaoDDBDaoBaooBBB 



■BODDDODaaDODDaai 



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:aaaaBaaaaaB ■aaooBaaQBaacoaBa 



. ■aaoaoaBaoaaaGaBoaoDaaaDaBaDDoaaoDDaaaa aoQaDoaaaBBoaBoai 

BaaBaaoBaBBaBaaaaaoaaoBBoaBBaaBBaoBBBaBB aaaoaBBBBBaaoc — 

BaaBBBaBBaaaBBaaBaaBaoBBOBaaoaaaBaBBaBBB aaaDBiflBDBBBBC 

■aaaaaaBBDaDBBaDBaaaDaaBaaBBaaDaBDaaaaBB aaaaBir 

■ 8BBaDDBiaDD8aaa|aaaBBDDaBDaBBQaoBaoaDBBB aaaaaai 

BBDaDBBOaaBaoaDiDBaaBBBOBoooaBDOOBBOoaBa aBaBaBaDoaaaaaaaa BaaaBaaaaaBa*BaBB 

BBGaBBDDDaBDDnBBBBDaDDBBBBDDDBBnDDBBDDBB BaBOBBBDnaaBaaaBB 

BaDBaBaaaaBaoBaaDaaaBaooaBBaoBaaaoBBaaBa aBBBoaBBOBBaaaBBB 

aaaaoaBaBaBaBaaoaDBBaBaoDaaaaaaaoaBaQaaa aaDDaaaDDDaaaaaaa 

aBBaaaBBBaaaBBDnDBBaaaaaaaBaBoaaaBaaaaBB aDDDDODOBDaaaoDDa 

BaBBBBBaaaoBBaaDBaaaaDaaDaDBaDBaaBBBBBBB aBaaDDaaaaaDDaoBB 

BaaaaaaBBaDaDaaaaaDaaaaBaaBaaaBaaBBBBBBB BBBaaaBBDaaaaaaaa „ ^ „_ 

■aaBBBBaaaa ■aaBBaaaBaoDaBBBaBBaaBaaaaaaa BBaoBaaooaaaaoBBB BDBBaooBBBDDBBBaB 

■BaBBBBaaBaBaaBaDDBBaaaaDBBBBaBBBBBBBaBB BBBBBBnaaoDBBaaaB BODBBBDoSaaaBBDOB 

BBODBBBDBaaaBaaDDaBaBaaoDBDBBBBBaaaaaaaB BaaaaaBDaoBDBBBBa aaainBaaDDDaaaaoDB 

aBBaaoaBaBBBBaaDaaooDDBaDaaBBBBBBDaBDBBB BBBaaBaDDaBaaaaaa BaDoaaBaoaaaaooaB 

aBBaaaDBBBaBaaBBaoaaaDaaaBaaaBBBBDBDBBBB BBaDBBBaDBBBBaaBB aaonDaaaDaaoDODBB 

BBaaDOBBBaBaBDBBaDnaaoaaBanaBBaBaaaDaaaa BaQDaaBBaaaaaDDaa aaaoooBBaflaDDODBB 

aaBaaBoaaaaBBaBaaaaaaaaaDaaaaBBaaaaoaaaB ■aDBoaBaaBBDOBDoa BaBaoaaBBBaDaDaSS 

BBaBBaBDBBaBBBDDaaaaBaBDaoaBBaaBoaaaaaaa BBaDDBBaaaaaaoDBB BDoaBaaaaaaoaaona 

BaaaBaaBBBaaaaBBBBBBaBBaaBBBBBBBaBBBBBBB ■BaDBBaBDaaaaDaaB BDaBSBDOBDaaBBBOB 

■aaBBBaBaaaaaaaaaBaBaBaaaaBaaBaaBaaaaBaB ■■BaaaaDDDBBBaaaa BBBBaaaDBonaBSaB 



laaot 

■Boaaaaooaa 

JDDaaDODDaODBBOOl 
BDBBDDDDBDDDDr 



BBBHDaDDaBDaaaaB 

BBBBBBOOaODaaBBBB 

■■aaBBBgaDBBaaaaa 



JBDBDI 

IQDDQQDiDQQDDDli 




__JDDD1. 

BaDBBaBaBODBaBBBBoaBBBDaaBBaaDDBaaaaaDBB ■aaDBaSBOBaBBOBBB BDBBDDaoBSaDDaaSB 
BBaBBBaBaDDaBaBaBoaaaBoaaaBBaoDBBBBBBDBa ■aDDDaaaflaaBOODaa aaBaBaaaSBoaaaiDB 
BagaaBoaDBBDpgaBBDaaBBDaaaDaaaBoaDBBBDBB ■DaaDDBaaaBDaBaDB BODBBBOoaDaaaBDoa 



■aagBBBDaDaaaoBBB aaoBaaDaaaaoBBDoi 
liliQiiiQIilQBBBi iDBiBBaDannr 



BaDBBaBaaDDaBaBaDBaaaaaDDBBBaDaDaaaBaaaa 

BBOBDBaaBBBBBBBaaaDaBoaDaBBBBaaBaaaaBDBB ^ _^ ^u.-^.^-—^- 

aBaBBOOBaaaaBaDBBDaacBaBaaaBaaaBaaDBBaaB iBODaDBaaaaDaDOBB ■aaaaaaDBDBBBBiBB 
BaDiBaoaaBBaBaoiaaBaaaaaaaaBBBaaaDaBBaBB ■aaGaDaoaDOQDaaDB ■aaaDDBDiDBDDDBBB 
aBDaaaBaaiaaaaaBaaoaBaaaaBBBaaaBaBBDaDBB iBODaDaDDDaDDDDBa ■aDDDaDoSDODDoaaB 
BBaBBBaBODaDBBaDDBDaDDBDOBBBDnDaaaBBBDaB ■aaaaaaBDBBBaBaBB ■DDDaaaDDoaaooDaa 
aaaaBBagaBBBogaaaDOBBaoaaBaaaaBaDDBBniBB ■BaaBaaaaDBBBaBBB ■aoDBBBBaBBBBDoaa 
BBBBDDBBBEBaaaaaaoBaaaDBaaBBBBBBaaaoBaaa ■BaBaaDoaoDaaaaBa ■■DDaBBBaBaiaDDBB 
BBBBaaBiBBBaHBDBBaaaaBaaaaBBBaBBBBDaBaB ■BBaaDBDaoBDaBaBB ■BBaaaaaDBBBDonB 
aBapBaaaqaBnBnBBaaBDDBaaBBDBDBaDaaaaaBBB ■BBaBBBOooaaaaaBB ■aaaaDanBOBnBBBaa 




JBBI 
DBBI 

iaaaoBDr~ 
iBDDBani „ ^^ -L^.^— ■_,_ 

BHanBaBBBaBBBaaBBigaaBBDBaBBBBBBBBDBBBB ■BBaaaaDaaDBaBBBB BDnBaaDDBDDBBiDai 



IDDDBBDDai 

BaBaaBDBaBBDBDBaaii 




21 



THE COVER DESIGN. 

The cover design is as beautiful as it is unique and with its irregular edge pre- 
sents a puzzling problem, which it is quite possible, however, to solve. Just imagine 
what a handsome bedspread or lunch cloth it would make. 

Several ways for executing this pattern with a number of suggestions for its 
use, have been prepared on a special leaflet, which may be obtained from your dealer 
for 10 cents, or direct from Mrs. Anna Wuerfel Brown, 2537 Robinwood Ave., Toledo, 
Ohio, upon receipt of price. 

TABLE OF SIZES. 

The different makes of thread and crochet hooks vary so in size, that a perfect 
table for all kinds is hardly possible. Allowance must also be made because few 
people work exactly alike. 

For this table D. M. C. Cordonette Special and Eagle hooks were used and 
by comparing these with others a fairly accurate result may be obtained. 



Size or number of thread. 



No. 30 
Size of hook to be used No. 10 to 12 

Number of meshes to an inch 6 

Height of initials. 23 meshes 3 5 6 in. 

Height of initials, 14 meshes 2 13 

Width of designs, 30 meshes 5 

Width of designs, 40 meshes 6 2 3 

Width of designs, 50 meshes 8 1/3 

Design No. 70, 76 meshes. 12 2 3 

No. 50. 62 and 56, 62 meshes 10 1/3 " 



No. 50 


No. 100 


No. 150 


No. 11 to 14 No. 13 to 14 


14 or finer 


7 


8 


9 


3 2 7 in 


. 2 5 8 in. 


2 5 9 in. 


2 


' 1 3/4 " 


1 5 9 " 


42 7' 


' 3 3/4 " 


3 1/3 •' 


5 5 7' 


5 


4 4/9 " 


7 17' 


' 6 14 " 


5 5/9 " 


106 7 ' 


' 9 12 " 


8 4/9 " 


8 6. 7 ' 


' 7 3,4 " 


6 8/9 " 




22 



PLATE XI 

■■■■■■■■■■■■■■■■■■a ■■■■■■■■■■■■■■■■ ■■■■■■■■■■■■■■■■■■■ 

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SRSSSSRSS!!!* \.aaoaaaaaaaaaaaaoaaooaaaaoaBaoaaaaaaaaaaQaoaa aaoDoaooaoaaa 
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SRSRSSSfl* ■■■RSSSSSaogaBaoaaBgaoaaaaaaoaoaaaoaaaaaaoaaaaaaaaaoaaa aaooaoaoa 
■oagaBaa aaooaaaaaQaBaaoaaaaBaaaaoaaaaBaaooaoBBBBaoaoaaoaaBaaaaaa aaaaoaaa 
SRSS55* .■■R!S!!>aS!5!SR"""S°"*i=)<="=i«a""«>'="ai="=>aaooaaaoaSBBaaa8BBaDaa SSaoaoB 
!RS!!" SSgaaaBaggaaaaaoaaaBBOBBBaaBoooaaaaaaaaBaoaaoBaaBaooBaBaoaaa aaaaDa 
agaaa .BaaBBaDBaoaaaBBBoaaBBaaaBBaaaaaaaaBBBaBaaaoaaaaaaaooaaaaBaoa aaaaa 
■□aa aagaaaaaoooaaaoaaaaaaaaaaaoooaaaaoaaoQaaaaaaaaaaaaaaaaaaaaaaia . aSaa 
■■a .^^^aaoaaaaooooooaaaoaaaaaaaaaaaoaaaaoaoaaaaaaaaaaaaaaaDDDaooaaBQaaa ^^^ aaa 
aa Jo aaggaaaooaoaaaoaaoaaoaaaaaaaaaaaooaaaaaaaaaaaoaaoaaaaaoaDDoaaaooBa -^ aa 
■ ^ _aggaaBagaaaaoDBoaBBaaaoBBaaaaaBaBBBaBaaoaaBOBBOBaoDaaaaaBBoaaBaaoB %j m 
.!S5S!59S!*"!"°"<='<='°'='"<^*<=>""0""'="=w*«"""«*i=>i=i»i=>aaaaaaoQooaaBaSaBDBaaaoaB \' 
aaagaaBaaaaaaaaoaaoBaaaaaaaBaaaaBaBaaBaaDDBaaaQBaaBOaaaBBBBBaaaaaaciiaa ■^ 

8i5S!!55'^i!5*S>*<=i<^oi<="=>oaaaaaaaaoaaaaaaQDoaoaaaaaaaaDaaoaaaoaBaaoaaaaaaa 
■qagagBapaaaBgoaaaaaoGQDaoaooaoDoaaaaoooaoaaaaaoooaQaaBoaBBBBnaaBBBnnaa 
.DoaaaaBBODDBBBBaBooDBaaaaaaaDaocDOBaBBaaDaoaaaBDaaBaDDBBBBBBoaaaBaBaBDaa 
laaaaaoanoaaaggBODDaDDDaaaaaaooaaaBDoaaoaaBoaaaDDaaaaBaiaaaooBaaaaaoa 



aBqaaaflgaaaagBaaBBaoBooDaaaDBOBaaaaaaaaBaaaBaaaooDDaaBaaaaaBaoBaBaDBaaaaBa 

aggBBiaggaagaaaaaaaBBaaQaoaooBBDDBaaooBaBaDaaaaaoDaBaBBBQBBBaBOBaaoaaaaaDB 

■qaaaiagaaaDBaaaaaBaDDDaaaDaaaaaaaaaaaaaaBaaaBCDDaaaDaDoaaaaaBBDaaDaBBBBaoB 

aaaBBaaaaaBBaaaBaaoaaaaaaaaaaaBaBaBBBaaaaaBBBBBDBaaBaBBaaBSaBOBBOoaaBBBBDB 

S!i^R!!SMS9!RRP!92i!!S&*'='°5"'°*"""""""""""""">**""!>o*>ai=inBBDBBaoBBDDaBOBBBaDaB 

SRSSS!R!S!SR5B!R*!5*Pi='i=i'=><=>'='"""""""*>""*">"""""*"*Q'^oi=iaQ>i^aBDBBaDoaaaDBaBoa8 

BDBBaayBBaBggaBgBaaDaaaaaaaaDBaBBaaaBaBaaBBBBBaDDaDaaaaaoaaBDBBDDaBaBOBBBBaB 

agBBBBaaaBBaoaaaDaBnaDanaDDDBBaBBBBaaaBBBBBaaaaaDDaDaDaDaBBDaaaaaaBaaaaBaaaB 




■aODDOOBBaOBBBDDBaaOnBBDaDDDDaBBaaDBBaBaoaaDOaBBBQDB 

iBr^r^S5Q'="=^<='"'='"*°<='*'=''*°*°°""'='"QQ'=ii='ooi=Hi=>i=>**aaaDaaaaaaaaaDBB 
„^B,Br=,BBBr^Fl!55R°'°'=)"**'='Q'="="='*"""'='Q°i="='aaaDDBDBDaaBBDaBaaaaDDBBBBBDB 




aBgiiaraBgagaBaoBBBaaaaBaaDaaaaaaBaaQDaaaBaBBaaBDBaaaaQBaBBBnBa 

BogaBBnBaaaaBaaBaaaBBagaBBDaaDOBaaBaBaaBBaDaaaBBBaaaBDBBBaoB 

BaaaBaBBoaBBBaBDBBDaaaaaaBaBDDODaBBaaaoaaaBBaBaBBBDaBiiBaoDBB 

aaaBaaBBaaaaaaaaaaaaaaaoaBoaaaBDaoaaaaaaaaaoBBBBaaaaaaaaBB 

BOaDBBBaBDBBaaaBBBBaaaDaDBBDDBBDDaoaBBBBBDODBaDaBBBBOaaB 

BBaDBBBBBOOBBaaBBBDDaBBBDBODBDBBBODBBBBDaBaaaBBBBBDDaB 

BBDDgBBaBBaaBgggDDgBBaaBDBBDBaaBBDDaDDaBBBBBBaBOaOBB 

■■BQaaBBBBBBioaODBBBOBBOBBaiBaBBaDaDDflBBBBaBBDOBBB 

■■DaaBBBBBaBBBBOBBaBDDBBaaBDBBaBBBBBBBBBBBDDBB 

BBaaaBaaBBaBaBBDaaDaBBBBaaBDaBBBBBaaaaaaaoBa 

BBBaaDBBBBBBBBBBBBBBaaDBIBBBBBBBBBBBaaDnS 

BBBaaBBBBBBBBaBBBBBBBBBBBBBBBBBBBaaBBB 

BBOaoaaBBBBBBBBBBBaBBBaaBBBDnDaaBB 

No. 70 BaBaBaDDoaaBBBBBBBBBaaDDaaDaaaaa 7^ m^^\,,. 

BBBBBDDDDnDDDDDDDDDBBBBB '^ Meshes 
BBBBBBBBBBBBBBBB 
■■■■■■■■■■■■■■■BBBBBBBBBBBBBBBBBBBBBBflBBBBflBBaaBBBBBBBBBBBBBBBBB 
JBBBBBaBBBBBaBBBBBBBBBBBBBBBaBBBBBBBBBBBBBBBaaaBBBaaBaBaaaBBBBBB 

QOOBaBBBBBaBBoooaoBBaaBBBBBBaoooaBaaBBaBBaaooanoaBBBaBBBaBODODDBaBBBBSaaaoaD 

DDCDQBBBBBBnDDDOOODOBBaBBBDDaDDaDDaBBBBBBOaDDDDDDaBBBBBBDODDDDDaaBBBBBaDnnnn 
BaaaaaBaBBDDDaOBDBBOBBBBBBQBaDBDaOaDBBBBaDaOOBaBaDBBBBBBaBBOBDaaDQBBaaDQaonB 

BBsaBoaaBaaaaBBaBaaBBBBBaaaBaBBBaoBDOBaaaBaaBBBBaBaaaaaaaaBaaBBaaoaaaooaoBBa 

DQDDaODBBDaaUDaaBBOBBaBBBBBDBBDDODaOaBBODDaDaDBBQBBBBBBBBQBBODaanaaBBDDDaDnn 

aaBaaDflaaaaQaBaDaDBaaBaaaaBaaaaGaaoaaaBBaaaBaaaaBBOBBBaaaBODQaaoooaaaaoQOBaa 
■aBBaoBBBaaoBaBBaaBBBaoaaaaBBBaaaBaaaBBBaOBaBaaBBBaaoaoBBBBBaaaaDaaaaaaaBan 
aaQGoaBaaaaoooaBiaaooooDaooBaaaBODoaaBaaaoooaaBBaDaaooooQaaaBBDODaBaSaaQoaBa 
aooDBBaaaBaaaoaoaoDBaDaaaoBODBOQOOBBaBBaaaooaaaoaaDaaaooaaDBoaaaaaBaaaBBQnnn 
aQaBaaaaaaaaaooBaoooBooaoBooooBooaaaoaBQaaBooaaaoaBooooBODaoaooaBaoaaDBBBDnB 
BaaBaBQBBaaaaaaaBaaooBaaaaaaaBaBaaaBaaaoaaBaaaaQoaDBDGBaaaoBBaaaaaDaaoaBBaaS 
aaBaaaaaBaaaaaBaQDBOoQBaoooBOOBBaaaaaaaaooBBBBOoaaDOBBaaoaooBBaBooBaaBooaBBr 
oaaoBaBBBaBaoaaoaQaDBBaoaaoooaaaaoaaBaaaaaaaaoaaooaaaaaaaaoaGaDOBaaaaaaBaDac 




No. 71 

23 



24 



PLATE Xn 



■is*. 

■•■■»u 

■MoaM 



laaaaaaBaBaaaaaaaaaaaaaaaaaaaBaaaaaaaaBaBaBsaaaaaaaBBaaaaaaaaaaSSi 

-^aaaaaaaaaBaaaaaaaaaaaaaaaBaaaaaaaaaaaaaaaaaaaaaaaaaaaaoaaaBaaaai 

laaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaoaaaaaaaaaaaaaaaaaaoaoooaaoooai 

-laaaaDoaaaaoaoaaaaaaaaaaaBaoooooaBBaaaaaaaoaoDaaaaaaooooBoagaai 

. -laaBBBOBaaaaaoBBaaoaaaaBaoBaaBBaooaaBaaaoaBBBaooBBBaoooDBaDgB 

^ -laaaaaaaaaaaaoaaaaaoaaoaaoaaaaaaaaaaaoaaaaaaaaaaaaaoqaaBagBB 

°^^ -<aaaaoaaoaaaoa8aBaaooB8Boa88aBaoBoaoBBBBBBB8BBBOBBOogooaaBBf 

laaaaoonaaaaBaQaaaaaaaaaaaaaaaooaaaaaaBaoaBaBaQaggaoggai 



"^aaaai 



aaaaaac 
■aaaaoc 
iaaaaoc 



IDOi 



aaaaaaaaaL 
aaaaaaaaaau 
iDoaaai. 

_ aooaaaai. 

■oooaoaaai. 
--joooaoaaaBL 

jaaQoaaooaaaau 

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aaaaaaooDoooaaaaaaL 

aaaaaaaooaooaaaaaaaL 

aaQaBaBBQGoaaaBBBBBau 

aaaDaaaaooaoaaaaoDaaaL 

aaaoooaaaaaoaaaaaaaaaaL 

aaaaaoaaaaaaaaaaaaaoaaa 

aaoaaoaoaaaaaoaDaaaai 

aaaaDoaoaDDBaaDDDaor 

aaaaooaaDaanaDODaaa. 

aaaaaaaDoaaBDODaaaaaBaaaaaBL 

aaaaaaDaaaaoaoBaaDaaaaBaaaaai. 

aBQaaaaaaaaaaaaaBoaaaaaaaaBaBL 

aaaDaaaaaoooaaDDaaoDDaDDciDBaBaL 

aaoaaaaaaDDaaaaaaaaaaaDoaoaaaaai 

aaaaaaaoaaaaaaDDaaaDaooDDaaaaaaai. 

aaaaaaaaaaaaDaaaaoaaaDDaaaaDDDaaaL 

aaaaaaaaaaaaDDaanaiaaaDaaaDaODaaaaL 

aaaaaaaaaaaaaDaaDaaaaaaaaaaGaaaaaaBL 

aaBBBBBBBBaBaaODaBDaaBBBBBBBBBBBBBBBi. 

aBDaaaaaaaoaaaaDaoDDaaaBBDBaaBBaaaBBaL 
aaaoaaaaaaaaaaaaoaDQaaflaaauaaaaaaaaaaBL 
BBaaBaaaBBaBBBBBBBaaaaBaaoBaaaaBBGaaaaBL 
aaaaaaaaaaaBiaaaaaaaaaaaaaaaaaaaaaaaaaaB 

No. 72 40 Meshes 



aBaaBaaaBaBaaaaaaBBaaaBaaaaBBaaaaBBaaaaa 



aaaaaaaaoaaaaaaBBaaaBaaBaBaaaaaoaaaaaaaagDgBgggggB 

BBBBBaaoBBBBoaaaaaacxiaoBBBBBBBOBBaaBBBoaoaooaooggoi 

laaaoDoaaoaoaaaaaaaaaaoaaaaoaaaaaaoaaaoaaaoaBDODBaaoQai 

aaBaaBaaaaaaaaaaaaaaooaaaaaoaaoaaBaaaaaaaaaaaaBgaBBqii 

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IBBBBBBBOBBBDBBBC 
— ^BBBBaDBBBOBBBC -=, 

'■aBaBBaBOQaaoaoaBaaaaBBaaaaBiaaaoaBaaooBBBaaBOL 

-'aaaaaaaoaaaoaaaaaoooaaaaaoBBaoooaaoaoBaaaBBaagaal 

-iBaBBBaaBaBoooaBaoooBBaaaaaaoaoBgaDaaaBBaaaaaDBBi' 

-iBaBBBaBBBOOOOBaoaaBBBaBBBooaBDaoaaaBBBBBBaaaBBi 

laaaaaaaaaaoBaaDnoaaaiaaoDanooDQaaBooaoaaBagaa 

-iBBBBBBBaoaDaBDDaaaBBDODDaBQaaaBaaaoaBBBaaDaa 

-laaaaaaaaQBaaoaaoaaaaaooaoaaafaaBBBBaBBBaiBfli 

iBaB8BBaaaaaaaBaaaaBaoaoDBD8iBoiBBBaBBaQiaBi 

iBBaBaoaaBBBBaBBaBBDgaooaaBBaaoaaBBBBaiaaai 

-laaaBBDOoBaaaaBBBaaaaaaBBoaaaaaBiaDoaiBBBi 

-^aaBaBaaaaBiaaaBaBOBaBaBaaaaoBBBBaaaaaaai 

->aaaaaaaaBBaaoBaBaaaaaBaaBoaoaBBBOBaBBB' 

laBaaaaaaaaaaBBaaBaaaBaaaBaooaaaaoaaaa 

-iBBBaaaBaDBDBaBBDDaBBaaaaBaDoaaDBDaaai 

~^8aaBHaaaaaBaaaaa8aaooooBODBBa8DB8a 

-laaaBBaaaaaBaBaaoDDODODDDDDBaaaDBDa 

-IBaBBBaaaBBBODaDDDDODDnDaDBBBDBDBB 

-iBaaBaaDDaaDBBaBBaBBBaDDBaBBBBDBB. 

iBBaaaDaDaBaDBaaBBBaDaDaaaaaaaaai 

-laaaaaDoaDaaaaaaDODDaaaaoaaaaaai 

-laaaaaaaanooaaoaonoaaBaaaoaaaai 

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34 Meshes 



No- 73 



40 Meshe 



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No. 74 



16 Meshes 



25 



26 



PLATE Xni 



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No 77 29 X 30 Meshes 

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30001 



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No. 80 



ISMeshe 



27 



28 



PLATE XIV 

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No. 84 SO Meshes No. 86 8 Meshes No. 88 1 7 Meshes 

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No 89 14 Meshes No. 90 1 1 Meshes No. 91 7 Meshes 

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